Get all 13 MORAL ORDER releases available on Bandcamp and save 40%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of CONDITIONNEMENT CLASSIQUE, BACKLASH, MALLEVS MALEFICARVM, 2017 - 2020, Αλφα και το Ωμεγα, THE EMPTY CROSS, NEGROS HAMBRIENTOS, EXAMPLES OF SOLIPSISM, and 5 more.
1. |
DIE
07:06
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2. |
SUFFOCATE
03:22
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3. |
DISCREPANCY
03:04
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4. |
YOU ARE A TOTAL SCAMMER
04:04
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5. |
WRONG JUDGEMENT
03:40
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6. |
STACKED BETWEEN CORPSES
03:32
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7. |
EL CUERVO
02:46
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8. |
DEATHBED
04:26
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9. |
あなたが嫌いです (I HATE YOU)
04:28
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10. |
GLORIA IN EXCELSIS MIHI
04:54
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11. |
DEAD MEN TELL NO TALES
03:52
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supported by 6 fans who also own “BACKLASH”
Simplistically eerie sounds are the primary genetic makeup of this mostly unknown, to me, act that has now come to be represented by the highly acclaimed Malignant label. Sparse, yet harsh, bewildering and yet somehow soothing, oppressive and yet it never completely overwhelms the listener in a manner of needing to escape its grasp. Verily, this act and album succeeds in transporting the listener back to a more golden era of lo-fi power electronics and noise. Wonderful and macabre stuff, this.
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Methods Of Submission II
by Human Larvae
supported by 5 fans who also own “BACKLASH”
This certainly is a more abrasive and soul destroying view of human sexuality and impulses monotonous extreme dialogue that becomes meaningless and totally absorbing.The music itself made me feel awkward,which I liked,the coprophagia sampled porno snippets went on for a while,perhaps too long,maybe that was the point.The track where a man is explaining the process of castrating himself is fascinating,these are just facets of what it is to be alive.I like this very much.
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Dunkelheit Bleibt
by Haus Arafna
supported by 5 fans who also own “BACKLASH”
Why would one NOT love Haus Arafna? Arafna Cultura Forever! Dunkelheit Bleibt is not directly a banger like so many others but still it's danceable and i'll prove that.
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"Axebreaker" is a self-proclaimed anti-fascist power electronics project that rejects the ideological grey zone that haunts much of the noise landscape.
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Adaptive Emotional Use
by Death Kneel
The Total Black label have done it again, with this grim and punishing noise outing from Death Kneel.
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The brilliant Oil Thief returns with seven new songs of rhythmic, punishing, quasi-industrial electronics.
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Death Of The Slave
by Linekraft
supported by 5 fans who also own “BACKLASH”
What a gloriously unpleasant mess these two tracks are. It's a testament to Linekraft that that they've been able to compose squalid synth hooks, layered heavily distorted vocal samples, and shrieking/stabbing outbursts of inorganic noise into something that's memorable. Music that shouldn't have seen the light of day, yet went on surviving out of sheer inhuman spite anyway.
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